A work in constant progress (and occasional regress).
Alias:
데이비드 엘리엇
From Wikipedia, the free encyclopedia. David Elliot is a New Zealand illustrator, known internationally for his contributions to the Redwall fantasy series by British author, Brian Jacques. He has illustrated the last six Redwall books and also the Mossflower Anniversary Edition (with full-page illustrations). He also illustrated the second and third volumes of Jacques' Castaways of the Flying Dutchman series and American author, T. A. Barron's The Great Tree of Avalon series, beginning with Child of the Dark Prophecy. Most recently he has provided illustrations for Time Magazine editor Jeffrey Kluger's first book for children, Nacky Patcher and the Curse of the Dry Land Boats, due to be published in 2007. Recent publications within New Zealand include illustrations for Janet Frame's only book for children, Mona Minim and the Smell of the Sun and also The Smell of Powder, a book on New Zealand dueling, by Dr. Donald Kerr, both published in 2006. His most recent project is The Hunting of the Snark, by Lewis Carroll (Private Press edition, with the University of Otago in Dunedin).
Director:
2000 Nothing Sacred
2007 Catacombs
Screenplay:
2000 Nothing Sacred
2000 The Watcher
2007 Catacombs
2009 G.I. Joe: The Rise of Cobra
Story:
2000 Nothing Sacred
2000 The Watcher
2007 Catacombs
2009 G.I. Joe: The Rise of Cobra
Writer:
2000 Nothing Sacred
2000 The Watcher
2005 Four Brothers
2007 Catacombs
2009 G.I. Joe: The Rise of Cobra
Creator:
2019 Proven Innocent
Writer:
2019 Proven Innocent
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.