A work in constant progress (and occasional regress).
Birthplace:
Los Angeles, California, U.S
Born:
December 15, 1999
Nora Stock is an award-winning writer, director, producer, and film editor. She is a 2022 graduate of Marymount Manhattan College with two Bachelor of Arts in Digital Media & Video Production, & Theatre & New Media. Nora has experience working in many filmmaking styles including narrative, documentary, animation, experimental, and music video. She also has backgrounds in acting, theatre production, & digital photography.
Assistant Editor:
2022 Lucid
Director:
2022 Ecstasy Behind the Forgotten
2022 Etch
2022 Lucid
Sound Mixer:
2022 Ecstasy Behind the Forgotten
2022 Etch
2022 Lucid
2022 Steak Knives
Writer:
2022 Ecstasy Behind the Forgotten
2022 Etch
2022 Lucid
2022 Steak Knives
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.