A work in constant progress (and occasional regress).
Aidan Cronin (b.1998) is an experimental narrative filmmaker. His films, mainly in super 16mm, are in conversation with the answerless obstacles, questions, and elements of the human experience. His work has screened at Athens International Film + Video Festival, Bushwick Film Festival & Indie Street Fest. Winning best experimental at Ivy Film Festival and Best Drama at Yale Student Film Festival. Aidan is the Co-Founder of the Ithaca Experimental Film Festival and is currently one of its Programmers and Festival Directors.
Camera Operator:
2017 Macaroni Serenade
2024 Living Reality
Cinematography:
2017 Macaroni Serenade
2022 I'm At Home
2024 Living Reality
Colorist:
2017 Macaroni Serenade
2022 I'm At Home
2024 Living Reality
Director:
2017 Macaroni Serenade
2020 Till the End of Time
2022 I'm At Home
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
2024 Living Reality
Director of Photography:
2017 Macaroni Serenade
2020 Till the End of Time
2022 I'm At Home
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
2024 Living Reality
Editor:
2017 Macaroni Serenade
2020 Till the End of Time
2022 I'm At Home
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
2024 Living Reality
Gaffer:
2017 Macaroni Serenade
2020 Till the End of Time
2022 I'm At Home
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
2024 Living Reality
Music:
2017 Macaroni Serenade
2020 Till the End of Time
2022 I'm At Home
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
2023 Visions of Waves
2024 Living Reality
Producer:
2017 Macaroni Serenade
2020 Till the End of Time
2022 I'm At Home
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
2023 Visions of Waves
2024 Living Reality
Production Design:
2017 Macaroni Serenade
2020 Till the End of Time
2022 I'm At Home
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
2023 Visions of Waves
2024 Living Reality
Sound Designer:
2017 Macaroni Serenade
2020 Till the End of Time
2022 I'm At Home
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
2023 Visions of Waves
2024 Living Reality
Sound Mixer:
2017 Macaroni Serenade
2020 Till the End of Time
2022 I'm At Home
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
2023 Visions of Waves
2024 Living Reality
Writer:
2017 Macaroni Serenade
2020 Till the End of Time
2022 I'm At Home
2022 The Four Prong Approach
2022 There is a Hole in the Ground
2023 I Don't Fight the Dark as Well as I Used To
2023 Visions of Waves
2024 Living Reality
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.