A work in constant progress (and occasional regress).
Zachary Greer is a New Brunswick based composer for Film, Television, and advertising. While attending St. Thomas University he scored his first feature film Alice in the Attic at age 20. Since graduating, he has gone on to compose music for multiple projects including two theatre productions, The Trickster of Seville and his Stone Guest and No White Picket Fence. In 2018 Zachary received the Excellence in Music Composition award at the Silver Wave Film Festival for the short film The Nashwaak. Recently, Zachary has scored the documentary series Never Say Die on Bell Fibe 1, The award winning short doc Fighter directed by Meagan Brown and the feature documentary Meet and Eat at Lee's Garden on CBC Gem. You can also hear his music featured in the 2021 documentary series Yukon Harvest on APTN.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.