Home

Juan Carlos Andrews

Gallery Unavailable

Biography from TheMovieDB

His performance in Mariana, Mariana was his debut and farewell. Juan Carlos Andrews is an outstanding electronics engineer graduated from UNAM. His professional thesis, Acoustic Analysis of the Javier Barros Sierra Auditorium, set new precedents in sound conditioning and equipment of the maximum house of studies.  At the invitation of a theater producer friend, at the age of 21 Juan Carlos joined the technical staff of the first staging of Beauty and the Beast, OCESA's mega-production staged in Mexico in the mid-nineties.  It was in musical theater that Juan Carlos learned about specialized microphones, orchestra consoles and special effects from live sound expert Luis Lojo. So our interviewee rose quickly: from operating sound effects on Beauty and the Beast he went on to become chief engineer on Rent and audio design on Man of La Mancha. Juan Carlos has been a volunteer for the SYDA Foundation, a non-profit organization that promotes educational, live and broadcast events in 150 cities around the world. Since 2002 he was chief sound engineer with tours in the United States, Asia and Europe; finally, he adopted New York as his place of residence and met again with Luis Lojo, who invited him to Jazz at Lincoln Center,

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.