A work in constant progress (and occasional regress).
Known chiefly for his refined, "dreamlike" style, Tomiya Hills is a filmmaker based in Adelaide, South Australia. After completing his Bachelor of Creative Arts at Flinders University, Hills began studying film at MAPS film school in the heart of Adelaide. During his time at film school, Hills developed an interest in cinematography and camera operation. He has since put his skills to the test on his solo short film Vending Machine (2020), for which he received acclaim at various international festivals. Hills went on to collaborate with fellow filmmakers and students, including on the web-series The Reality of Humanity (2021), and short films such as Ingénue (2021), Marriage Graveyard (2022), and True Colour (2022) - the latter of which won Hills the Best Cinematography Award at the 2022 Creation International Film Festival.
Camera Operator:
2022 True Colour
Director:
2020 Vending Machine
2022 The Family Friend
2022 True Colour
???? Vietnam Story
Director of Photography:
2020 Vending Machine
2022 The Family Friend
2022 True Colour
2023 Forgiving
???? Vietnam Story
Editor:
2020 Vending Machine
2022 The Family Friend
2022 True Colour
2023 Forgiving
???? Vietnam Story
First Assistant "A" Camera:
2020 Vending Machine
2022 Marriage Graveyard
2022 The Family Friend
2022 True Colour
2023 Forgiving
???? Vietnam Story
First Assistant Camera:
2020 Vending Machine
2022 Marriage Graveyard
2022 Speak to us of Children
2022 The Family Friend
2022 True Colour
2023 Forgiving
2023 Red Earth
???? Vietnam Story
First Assistant Director:
2020 Vending Machine
2022 Marriage Graveyard
2022 Speak to us of Children
2022 The Family Friend
2022 True Colour
2023 Forgiving
2023 Red Earth
???? Vietnam Story
Lighting Design:
2020 Vending Machine
2022 Marriage Graveyard
2022 Speak to us of Children
2022 The Family Friend
2022 True Colour
2023 Forgiving
2023 Red Earth
???? Vietnam Story
Producer:
2020 Vending Machine
2022 Marriage Graveyard
2022 Speak to us of Children
2022 The Family Friend
2022 True Colour
2023 Forgiving
2023 Red Earth
???? Vietnam Story
Writer:
2020 Vending Machine
2022 Marriage Graveyard
2022 Speak to us of Children
2022 The Family Friend
2022 True Colour
2023 Forgiving
2023 Red Earth
???? Vietnam Story
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.