A work in constant progress (and occasional regress).
Everardo Garcia Jr is a Mexican-American filmmaker who fields in directing, producing, and 1st assistant directing in many indie short films. His principal film vision is to direct and produce films that are not only bold, intense, and challenging but also entertaining. He has directed and produced over five festival award-winning short films including "Tradeoff" (2022), "Afterparty" (2025), and the upcoming "Break-In" (2025). Garcia Jr is also a film critic based in Chicago for Vizeit Reviews. He is also part of the Chicago Indie Critics, a film critics association that is dedicated to indie film journalism. Garcia Jr is ready to take on any challenge that can improve not only his technical filmmaking skills but also his everchanging artistic vision.
Associate Producer:
2024 Static
Cinematography:
2021 Duo
2021 Late
2022 Tradeoff
2024 Static
Director:
2021 Duo
2021 Late
2022 Tradeoff
2024 Afterparty
2024 Static
Director of Photography:
2021 Duo
2021 Late
2022 Tradeoff
2024 Afterparty
2024 Static
Editor:
2021 Duo
2021 Late
2022 Tradeoff
2024 Afterparty
2024 Static
Line Producer:
2021 Duo
2021 Late
2022 Tradeoff
2024 Afterparty
2024 Static
2025 Are You There Satan? It's Me, Bryan
Producer:
2021 Duo
2021 Late
2022 Tradeoff
2024 Afterparty
2024 Static
2025 Are You There Satan? It's Me, Bryan
Sound:
2021 Duo
2021 Late
2022 Tradeoff
2024 Afterparty
2024 Static
2025 Are You There Satan? It's Me, Bryan
Visual Effects:
2021 Duo
2021 Late
2022 Tradeoff
2024 Afterparty
2024 Static
2025 Are You There Satan? It's Me, Bryan
Writer:
2021 Duo
2021 Late
2022 Tradeoff
2024 Afterparty
2024 Static
2025 Are You There Satan? It's Me, Bryan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.