A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
September 3, 1894
Died:
February 21, 1972
Marie Dubas (3 September 1894 – 21 February 1972) was a French music-hall singer, diseuse and comedian. Born in Paris, France, Marie Dubas began her career as a stage actress but became famous as a singer. Using the great Yvette Guilbert as her model, Dubas started singing in the small cabarets of Montmartre mixing comedy into her routine. She earned a following that led to offers to perform in Parisian operettas and musicals and during the 1920s and 1930s, starred at such places as the Casino de Paris and Bobino, the great music hall in Montparnasse. Her most famous song, Mon légionnaire, was written by Raymond Asso and recorded in 1936. Her popularity became such that in 1939 she toured the United States. The occupation of France by the Germans during World War II proved a difficult time for the Jewish, Marie Dubas. Although married to a French gentile who served in the Air Force, she was nevertheless banned by the Vichy government and placed under house arrest by the Gestapo who raided her Paris apartment. Forced to flee the country, Dubas took refuge in Lausanne, Switzerland where she remained until the end of the war. On her return to France, she learned her sister had been executed and her nephew had been shipped to a concentration camp, never to be heard from again. The inspiration for Édith Piaf, Marie Dubas returned to performing and in 1954 was chosen as a headliner for the reopening of the Paris Olympia. A stage production about her life, Dubas de haut, en bas, was created by Opéra Éclaté. Marie Dubas retired in 1958. She died in Paris in 1972 and is interred there in the Père Lachaise Cemetery. She is largely forgotten today. Source: Article "Marie Dubas" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.