A work in constant progress (and occasional regress).
Birthplace:
Gastonia, North Carolina
Born:
December 6, 2000
Sydney Paolercio is a Production and Costume Designer born in Gastonia, North Carolina, and raised in Lakeland, Florida. Growing up, she was raised in a Jamaican and Italian-American household. Sydney received a BA in English - Editing, Writing, and Media from Florida State University where she also took up student journalism. She is currently continuing her education at FSU as a Production Design specialist in the MFA Film Production program. During her free time, Sydney continues going to ballet class and spending time with her cat, Juno.
Art Designer:
2024 Jummah
Boom Operator:
2022 Who Killed Mrs. Evans
2024 Jummah
Costume Designer:
2022 Who Killed Mrs. Evans
2024 I Don't Live Here Anymore
2024 Jummah
Craft Service:
2022 Who Killed Mrs. Evans
2024 Do Me a Favor
2024 I Don't Live Here Anymore
2024 Jummah
Director:
2022 Trinkets
2022 Who Killed Mrs. Evans
2023 Nothing Wrong with Wishing
2024 Do Me a Favor
2024 I Don't Live Here Anymore
2024 Jummah
???? The Battle of St. Theresa's
Director of Photography:
2022 Trinkets
2022 Who Killed Mrs. Evans
2023 Becky and Francis are in Deep $#!+
2023 Nothing Wrong with Wishing
2024 Do Me a Favor
2024 I Don't Live Here Anymore
2024 Jummah
???? The Battle of St. Theresa's
Producer:
2022 Trinkets
2022 Who Killed Mrs. Evans
2023 Becky and Francis are in Deep $#!+
2023 Nothing Wrong with Wishing
2024 Do Me a Favor
2024 I Don't Live Here Anymore
2024 Jummah
???? Divoc-91
???? The Battle of St. Theresa's
Production Assistant:
2022 Don't Let the Sun Go Down
2022 Trinkets
2022 Who Killed Mrs. Evans
2023 Becky and Francis are in Deep $#!+
2023 Nothing Wrong with Wishing
2024 Do Me a Favor
2024 I Don't Live Here Anymore
2024 Jummah
???? Divoc-91
???? The Battle of St. Theresa's
Production Design:
2022 Don't Let the Sun Go Down
2022 Trinkets
2022 Who Killed Mrs. Evans
2023 Becky and Francis are in Deep $#!+
2023 Nothing Wrong with Wishing
2023 The Ethics of Ambiguity
2024 Bad Tat
2024 Do Me a Favor
2024 I Don't Live Here Anymore
2024 Jummah
???? Divoc-91
???? The Battle of St. Theresa's
Production Designer:
2022 Don't Let the Sun Go Down
2022 Trinkets
2022 Who Killed Mrs. Evans
2023 Becky and Francis are in Deep $#!+
2023 Nothing Wrong with Wishing
2023 The Black Card
2023 The Ethics of Ambiguity
2024 Bad Tat
2024 Do Me a Favor
2024 I Don't Live Here Anymore
2024 Jummah
???? Divoc-91
???? The Battle of St. Theresa's
Writer:
2022 Don't Let the Sun Go Down
2022 Trinkets
2022 Who Killed Mrs. Evans
2023 Becky and Francis are in Deep $#!+
2023 Nothing Wrong with Wishing
2023 The Black Card
2023 The Ethics of Ambiguity
2024 Bad Tat
2024 Do Me a Favor
2024 I Don't Live Here Anymore
2024 Jummah
???? Divoc-91
???? The Battle of St. Theresa's
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.