A work in constant progress (and occasional regress).
Birthplace:
Guizhou, China
Born:
March 20, 1995
Chongyan Liu is an artist-filmmaker born in Guizhou, China, who currently resides in Lille, France. After completing her studies at CAFA in Beijing, she pursued a master's degree at Beaux-Arts de Paris, and has now joined a two-year program at Le Fresnoy - Studio national des arts contemporains. Her creative output spans multiple mediums, including documentary and fiction filmmaking, experimental moving image, painting, and sculpture. Chongyan is currently focused on exploring the intersection of video art and film. Her multidisciplinary approach to filmmaking seeks to redefine boundaries within the medium and challenge preconceived notions of the practice. Arriving in France at the age of 21, her works, nourished by her personal experiences and observations of social dynamics, serve as the foundations for experimentation and reflexivity. The feedback from this process of actualisation creates an echo in which the audience can identify a fragment of themselves; where they too have the chance to confront the latent trappings of yesteryear. Chongyan’s work has been showcased at numerous prestigious international film festivals, such as IDFA, Beijing International Short Film Festival, Seoul International Pride Film Festival, and Videoex.
Director:
2022 Is There a Pine on the Mountain
2022 Speak in a Whisper
2022 The Harryian Theory
2023 Afterwards
2024 After All
Editor:
2022 Is There a Pine on the Mountain
2022 Speak in a Whisper
2022 The Harryian Theory
2023 Afterwards
2024 After All
Producer:
2022 Is There a Pine on the Mountain
2022 Speak in a Whisper
2022 The Harryian Theory
2023 Afterwards
2024 After All
Writer:
2022 Is There a Pine on the Mountain
2022 Speak in a Whisper
2022 The Harryian Theory
2023 Afterwards
2024 After All
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.