A work in constant progress (and occasional regress).
Maša Božić (1998) is an emerging film director based in Brussels where she studies film directing at RITCS School of Arts and is currently preparing for her master's year. Her work delves into the inner landscapes of human experience, often exploring psychological and existential themes such as doubt, faith, memory, and identity. Rooted in minimalism and slow cinema, her films evoke a contemplative and spiritual atmosphere, infused with quiet mysticism and poetic imagery. She wrote and directed If Life Summons Me Back (2023), Tronk (2024), and In Another Homeland (2025).
Art Direction:
2022 Saudade
2025 Undercurrent - 暗流
Boom Operator:
2022 Saudade
2022 When the Sky is Doubting
2025 Undercurrent - 暗流
Color Grading:
2022 Saudade
2022 When the Sky is Doubting
2025 Undercurrent - 暗流
Director:
2022 Saudade
2022 When the Sky is Doubting
2023 If Life Would Summon Me Back
2024 Tronk
2025 In Another Homeland
2025 Undercurrent - 暗流
Editor:
2022 Saudade
2022 When the Sky is Doubting
2023 If Life Would Summon Me Back
2024 Tronk
2025 In Another Homeland
2025 Undercurrent - 暗流
Lighting Technician:
2022 Saudade
2022 When the Sky is Doubting
2023 If Life Would Summon Me Back
2024 Tronk
2025 In Another Homeland
2025 Undercurrent - 暗流
Music:
2022 Saudade
2022 When the Sky is Doubting
2023 If Life Would Summon Me Back
2024 Tronk
2025 In Another Homeland
2025 Undercurrent - 暗流
Producer:
2022 Saudade
2022 When the Sky is Doubting
2023 If Life Would Summon Me Back
2024 Tronk
2025 In Another Homeland
2025 Undercurrent - 暗流
Set Dresser:
2022 Saudade
2022 When the Sky is Doubting
2023 If Life Would Summon Me Back
2024 Tronk
2025 In Another Homeland
2025 Undercurrent - 暗流
Writer:
2022 Saudade
2022 When the Sky is Doubting
2023 If Life Would Summon Me Back
2024 Tronk
2025 In Another Homeland
2025 Undercurrent - 暗流
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.