A work in constant progress (and occasional regress).
Birthplace:
Fountain Valley, California, USA
ETA is a nonbinary, first-gen Vietnamese-American filmmaker raised in Tustin, CA by refugees of the American War in Vietnam. Their genrefluid work sees emotion as alternate reality and centers on amplifying marginalized voices on both sides of the camera, addressing colorism in onscreen representation, and racial and social equity issues. Currently, they're in postproduction for Menstrual, a meditative sci-fi drama about a wormhole being studied in the Pacific Ocean. White Gaze, their gentrification horror short, has screened across the US and abroad and won numerous awards. Confluence: A Meditation in Documentary Form, their documentary short focusing on the Asian American diaspora, has screened at several Oscar-qualifying film festivals, being hailed by Film Threat as "a powerful and entrancing music documentary". Their debut, Stockton 2 Malone, premiered via AFROPUNK and was lauded for infusing "intersectional, diverse identities into the mumblecore subgenre."
Director:
2016 Stockton 2 Malone
2021 Confluence: A Meditation in Documentary Form
2023 White Gaze
???? Lucid Seance
???? Menstrual
Editor:
2016 Stockton 2 Malone
2021 Confluence: A Meditation in Documentary Form
2023 White Gaze
???? Lucid Seance
???? Menstrual
Producer:
2016 Stockton 2 Malone
2021 Confluence: A Meditation in Documentary Form
2023 White Gaze
???? Lucid Seance
???? Menstrual
Writer:
2016 Stockton 2 Malone
2021 Confluence: A Meditation in Documentary Form
2023 White Gaze
???? Lucid Seance
???? Menstrual
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.