A work in constant progress (and occasional regress).
Birthplace:
Atlanta, Georgia, USA
Born:
December 26, 2000
Hannah Dell is a filmmaker based in Atlanta, Georgia. She graduated from Georgia State University with a BA in Film Production. Hannah has worked on several short films, from narratives to documentaries to experimental work. She loves creating films that are meaningful and personal to her while also connecting with viewers.
Cinematography:
2021 Sweet Melancholy
Director:
2020 Copy Cat
2020 The Housewife
2021 Bat Country
2021 CATHARSIS
2021 Sweet Melancholy
2021 Time
2022 Gideon
Director of Photography:
2020 Copy Cat
2020 The Housewife
2021 Bat Country
2021 CATHARSIS
2021 Sweet Melancholy
2021 Time
2022 Gideon
Editor:
2020 Copy Cat
2020 The Housewife
2021 Bat Country
2021 CATHARSIS
2021 Sweet Melancholy
2021 Time
2022 Gideon
Thanks:
2020 Copy Cat
2020 The Housewife
2021 Bat Country
2021 CATHARSIS
2021 Sweet Melancholy
2021 Time
2022 23 Years for Three Hours North
2022 Gideon
Writer:
2020 Copy Cat
2020 The Housewife
2021 Bat Country
2021 CATHARSIS
2021 Sweet Melancholy
2021 Time
2022 23 Years for Three Hours North
2022 Gideon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.