A work in constant progress (and occasional regress).
Birthplace:
Stričići, Ottoman Empire [now Bosnia and Herzegovina]
Born:
June 29, 1877
Died:
August 27, 1916
Petar Kočić (1877–1916) was a Bosnian Serb writer, activist and politician, best known for his acclaimed short stories. Born in Bosnia in the final days of Ottoman rule, Kočić began writing around the turn of the twentieth century; first poetry and then prose. While a university student, he became politically active and began agitating for freedom of press and assembly, as well as agrarian reforms within Bosnia and Herzegovina, which had been occupied by Austria-Hungary following the Ottomans' withdrawal. Kočić published his first collection of short stories, S planine i ispod planine (From the Mountain and Below the Mountain), in 1902. Between 1902 and 1905, Kočić published three volumes of short stories, all under the same title, S planine i ispod planine. Notable among these was Jazavac pred sudom (The Badger on Trial), in which a farmer attempts to sue a badger for eating his crops. Kočić subsequently adapted the story into a one-act play. It premiered at Belgrade's National Theatre on 26 November 1905. Noted for his fiery temperament and sharp wit, which he frequently deployed against the Austro-Hungarian authorities, Kočić's works not only influenced an entire generation of Bosnian intellectuals, such as the future Nobel laureate Ivo Andrić, but also the Serbian and Yugoslav nationalist movements, as well as the Bosnian autonomist and Yugoslav communist movements. Numerous streets in Bosnia-Herzegovina and Serbia carry his name and his likeness has appeared on Bosnian 100 KM banknotes since 1998.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.