Gus Schilling (1908-1957)

Alias:
August "Gus" Schilling
August Schilling

Birthplace:
New York City, New York, USA

Born:
June 20, 1908

Died:
June 16, 1957

August "Gus" Schilling (June 20, 1908 - June 16, 1957) was an American actor.  August "Gus" Schilling (June 20, 1908 – June 16, 1957) was an American film actor who started in burlesque comedy and usually played nervous comic roles, often unbilled. A friend of Orson Welles, he appeared in five of the director's films — Citizen Kane (first screen performance), The Magnificent Ambersons, The Lady from Shanghai, Macbeth and Touch of Evil (final performance, released posthumously).  Born in New York City, Schilling had a rubber face and flustered gestures which made him a natural comedian and he began his career understudying comedy stars Bert Lahr and Joe Penner on Broadway. He soon became a favorite among burlesque comedians, who welcomed him into the burlesque profession. Schilling was in a relationship with burlesque star Betty Rowland and the couple toured in the Minsky burlesque troupe.  Orson Welles saw Schilling in New York and followed him to Florida. There Welles hired Schilling to appear in a stage production featuring several Shakespearean scenes. "I learned my part by taking the script to Welles and having him translate the lines to everyday English," Schilling recalled in 1939. Welles promised Schilling a part in Welles's first motion picture, and kept his promise: Schilling is featured in Citizen Kane (1941). This established Schilling in Hollywood movies as a "nervous" comedian (he plays a jittery symphony conductor in Olsen and Johnson's Hellzapoppin', for example). He also co-starred with character comedian Richard Lane in a series of 11 comedy shorts for Columbia Pictures; the series ran from 1945 to 1950.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.