Devon "Jovi" Johnson (b. 1985)

Birthplace:
Brooklyn, New York, U.S.

Born:
April 11, 1985

Born and raised in the rich tapestry of Brooklyn's diverse black culture, Devon Johnson emerged as a visionary creative, embarking on his journey in the world of filmmaking, leaving an indelible mark with his unique cinematic approach rooted in abstract videography. Hailing from New York, Devon Jovi Johnson wears many hats, excelling as a filmmaker, commercial director, music video director, and editor. He boasts an impressive roster of collaborations with renowned artists, including Akon, Omarion, Bobby Shmurder, Busta Rhymes, Fivio Foreign, Disney's Meg Donnelly, Blue Face, and more. Notably, his creative prowess shines through in his work on commercials for brands like Spotify, Express, NFL, and a myriad of captivating short films.  Over the span of a decade, Devon Johnson's artistic vision has defied confinement within a single genre of filmmaking. Drawing inspiration from cinematic legends such as Spike Lee, Christopher Nolan, James Wan, and Jordan Peele, his creative palette knows no bounds.  Now poised for his directorial debut, Devon Johnson presents his latest venture, "What Happened at 625 River Road," Which has got the attention of Byron Allen. Devon Johnson's filmmaking talent permeates every aspect of this project, from the performances of the cast to the meticulous attention to detail, cementing this film as a future standout in the television industry.

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.