A work in constant progress (and occasional regress).
Alias:
Florence Rabe
Birthplace:
San Antonio, Texas, USA
Born:
April 13, 1888
Died:
January 31, 1954
From Wikipedia, the free encyclopedia Florence Bates (born Florence Rabe, April 15, 1888 – January 31, 1954) was an American film and stage character actress who often played grande dame characters in supporting roles. Her path to becoming an actress had many turns. She had a degree in Mathematics, taught school until married, then became the first Texas female lawyer. Then she became a bilingual radio commentator. After her husband lost her fortune, she and her husband opened a bakery in Los Angeles. In the mid-1930s, Bates auditioned for and won the role of Miss Bates in a Pasadena Playhouse adaptation of Jane Austen's Emma. When she decided to continue working with the theatre group, she changed her professional name to that of the first character she played on stage. In 1939, she was introduced to Alfred Hitchcock, who cast her in her first major screen role, the vain dowager Mrs. Van Hopper, in Rebecca (1940). Bates appeared in more than sixty films over the course of the next thirteen years. Among her cinema credits are Kitty Foyle, Love Crazy, The Moon and Sixpence, Mr. Lucky, Heaven Can Wait, Lullaby of Broadway, Mister Big, Since You Went Away, Kismet, Saratoga Trunk, The Secret Life of Walter Mitty, Winter Meeting, I Remember Mama, Portrait of Jennie, A Letter to Three Wives, On the Town, and Les Misérables. In television, Bates had a regular role on The Hank McCune Show and made guest appearances on I Love Lucy, My Little Margie, I Married Joan and Our Miss Brooks.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.