A work in constant progress (and occasional regress).
Birthplace:
Barcelona, Barcelona, Catalunya, Spain
Born:
December 3, 2002
Carlos R. Haro (Barcelona, 2002), discovers the world of cinema by participating as an extra in high-budget shoots at the age of fifteen, while graduating from the International Conservatory in Higher Degree of Classical Piano. After starting to record and edit small audiovisual pieces, the Higher School of Cinema and Audiovisuals of Catalonia offered him a scholarship to study for four years, during which time he had produced films selected in more than twenty festivals, from the United States, Barcelona, Rome to South Korea, collaborating with actors such as Alex Batllori, Roser Tapias, Lolo Herrero or Anna Ycobalzeta. He is currently studying for a master's degree in film directing at ESCAC.
Camera Department Manager:
???? Aigua Salina
Director:
2022 Now That the Sun Begins to Set
2023 Paragliders
2023 Parenthesis
???? Aigua Salina
Editor:
2022 Now That the Sun Begins to Set
2023 Paragliders
2023 Parenthesis
???? Aigua Salina
???? Dissecció d’una incoherència en crisi
Script Supervisor:
2022 Now That the Sun Begins to Set
2023 Paragliders
2023 Parenthesis
???? Aigua Salina
???? Dissecció d’una incoherència en crisi
Writer:
2022 Now That the Sun Begins to Set
2023 Paragliders
2023 Parenthesis
???? Aigua Salina
???? Dissecció d’una incoherència en crisi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.