A work in constant progress (and occasional regress).
Alias:
Apis
Birthplace:
Pekanbaru, Indonesia
Born:
February 8, 1998
Hafiz, a captivating artist of Indonesian-Chinese-Malay descent, transcends the boundaries of individual genres. He is a filmmaker, music producer, director, and songwriter whose career is marked by both artistic depth and remarkable versatility. Hafiz's artistic journey began in 2014 with "Hafiz & Friends Recap," a film project honoring his youthful friendships. This initial exploration in storytelling led to the creation of "Lost" in 2015, a short film that garnered local acclaim, transcending its academic origins to grace screen at local cinemas and festivals. Driven by a boundless creative spirit, Hafiz launched "Hafiz & Friends Recap S2" in 2015, followed by the ambitious 44-episode series "Hafiz Journey" (2016-2018). During this period, his musical identity blossomed, culminating in the release of his debut album, "Heaven," in 2018. 2019 witnessed a pivotal shift. While "Hafiz & Friends Recap: History" and "The Sun Will Come Up, the Season Will Change" solidified his storytelling prowess, the global pandemic prompted a renewed focus on music. His 2020 album, "MANIC," became a powerful outlet for his emotions, showcasing an evolving artistic voice within the realm of instrumental music. As the world cautiously reopened in 2022, Hafiz reignited the "Hafiz & Friends Recap" project with the poignant "The (memories) We Never Forget," celebrating the enduring power of friendship. This year, 2023, has seen him masterfully balance these pursuits. While meticulously crafting "Hafiz & Friends Recap: This Is Why We Can Have Nice Things," he has also achieved musical triumph with his acclaimed fourth album, "HAFIZ." This work, lauded by critics and embraced by audiences, stands as his most popular and a testament to his continuous artistic evolution.
Cinematography:
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Concept Artist:
2015 Lost
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Director:
2015 Lost
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Director of Photography:
2015 Lost
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Editor:
2015 Lost
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Executive Music Producer:
2015 Lost
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Executive Producer:
2015 Lost
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Music Arranger:
2015 Lost
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Music Producer:
2015 Lost
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Producer:
2015 Lost
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Writer:
2015 Lost
2022 The (memories) We Never Forget
2023 Hafiz & Friends Recap: This Is Why We Can Have Nice Things
Creator:
2016 Hafiz Journey
2022 The All New Hafiz & Friends
Director:
2016 Hafiz Journey
2022 The All New Hafiz & Friends
Executive Producer:
2016 Hafiz Journey
2022 The All New Hafiz & Friends
Music Producer:
2016 Hafiz Journey
2022 The All New Hafiz & Friends
Writer:
2016 Hafiz Journey
2022 The All New Hafiz & Friends
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.