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Eri Saito (b. 1991)

Alias:
斎藤英理

Birthplace:
Fukushima, Japan

Born:
January 1, 1991

Biography from TheMovieDB

Born in 1991 in Fukushima, Japan, she graduated from the Department of Art, Faculty of Expressions, Wako University in 2015. She works with photography and video media, using invisible and uncertain dynamics such as memory and perception as motifs. Recent major exhibitions include "Until it gets Dark" (Tokyo Metropolitan Art Museum, Tokyo, 2021), "The Glory of 2020" (YUMI ADACHI CONTEMPORARY+Awobaso, Tokyo, 2020) and "1GB" (Spiral Hall, Tokyo, 2020). Screenings include Image Forum Festival 2020 (Theatre Image Forum, Tokyo, 2020) and "Floating Cinema in the Sea" (Kanagawa, 2019).

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Additional information:

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Film Production

Director:
2013  home, sweet home
2016  Someone can’t go home
2016  Vanishing Image
2017  I saw my head there
2018  Shake: Dreaming Body
2020  mistake, blockade, fancy, panky
2021  May all your wounds heal
????  Ebony Dream
????  Social Circles
????  Waterless Island

Writer:
2013  home, sweet home
2016  Someone can’t go home
2016  Vanishing Image
2017  I saw my head there
2018  Shake: Dreaming Body
2020  mistake, blockade, fancy, panky
2021  May all your wounds heal
2021  What is it that you said?
????  Ebony Dream
????  Social Circles
????  Waterless Island

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.