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Axel Azarya Pratama

Biography from TheMovieDB

With years of experience and a versatile musical background, Axel possesses a unique ability to create captivating and evocative compositions that elevate the cinematic experience. His keen understanding of the emotional nuances of storytelling allows him to craft melodies and arrangements that seamlessly integrate with the visuals, enhancing the narrative and leaving a lasting impact on the audience. From sweeping orchestral scores to intimate and introspective melodies, Axel's work spans a wide range of genres and styles. His compositions are characterized by their rich textures, meticulous attention to detail, and an innate ability to capture the essence of a story. Whether it's a heartwarming drama, a thrilling action film, or a thought-provoking documentary, Axel's musical contributions bring depth, emotion, and resonance to every project he undertakes.

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Additional information:

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Film Performances

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Film Production

Music:
2023  Hallowed Be Thy Nightmares
2023  The Afterlife Club
????  Bestiary
????  Sweet Lightspeed
????  The Secret Life of Daydreams

Sound Designer:
2021  Engineering Eternity
2023  Hallowed Be Thy Nightmares
2023  The Afterlife Club
????  Bestiary
????  Sweet Lightspeed
????  The Secret Life of Daydreams

Writer:
2021  Engineering Eternity
2023  Hallowed Be Thy Nightmares
2023  The Afterlife Club
????  Bestiary
????  Pe(r)sona
????  Sweet Lightspeed
????  The Secret Life of Daydreams

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.