A work in constant progress (and occasional regress).
Serial entrepreneur in the Indonesian entertainment industry, with many exposure towards storytellers and thespians. When not working on his workshop, he spends his time producing motion pictures. Previously produced 4 (four) films, organized a film festival, and established a motion picture community in Bandung, Indonesia.
Assistant Camera:
2020 To Whom the Bell Rings (Oblivion)
Assistant Director:
2017 A Faerie's Wanderlust
2020 To Whom the Bell Rings (Oblivion)
???? Pe(r)sona
Associate Producer:
2017 A Faerie's Wanderlust
2020 To Whom the Bell Rings (Oblivion)
2021 Engineering Eternity
???? Pe(r)sona
Director of Photography:
2016 Solitude
2017 A Faerie's Wanderlust
2020 To Whom the Bell Rings (Oblivion)
2021 Engineering Eternity
???? Pe(r)sona
Line Producer:
2016 Solitude
2017 A Faerie's Wanderlust
2020 To Whom the Bell Rings (Oblivion)
2021 Engineering Eternity
???? Pe(r)sona
Producer:
2016 Solitude
2017 A Faerie's Wanderlust
2020 To Whom the Bell Rings (Oblivion)
2021 Engineering Eternity
2022 Infidelis
2022 The Hanged Man
2023 Hallowed Be Thy Nightmares
2023 L.O.S.T.
2023 Scarlet
2023 The Afterlife Club
???? A Figment of Your Imagination
???? Bestiary
???? Pe(r)sona
???? Sweet Lightspeed
???? The Secret Life of Daydreams
Production Controller:
2016 Solitude
2017 A Faerie's Wanderlust
2020 To Whom the Bell Rings (Oblivion)
2021 Engineering Eternity
2021 Philosophy of Death
2022 Infidelis
2022 The Hanged Man
2023 Hallowed Be Thy Nightmares
2023 L.O.S.T.
2023 Scarlet
2023 The Afterlife Club
???? A Figment of Your Imagination
???? Bestiary
???? Pe(r)sona
???? Sweet Lightspeed
???? The Secret Life of Daydreams
Production Driver:
2016 Solitude
2016 Terambau
2017 A Faerie's Wanderlust
2017 Dusk & Demitasse
2020 To Whom the Bell Rings (Oblivion)
2021 Engineering Eternity
2021 Philosophy of Death
2022 Infidelis
2022 The Hanged Man
2023 Hallowed Be Thy Nightmares
2023 L.O.S.T.
2023 Scarlet
2023 The Afterlife Club
???? A Figment of Your Imagination
???? Bestiary
???? Pe(r)sona
???? Sweet Lightspeed
???? The Secret Life of Daydreams
Script Supervisor:
2016 Solitude
2016 Terambau
2017 A Faerie's Wanderlust
2017 Dusk & Demitasse
2020 To Whom the Bell Rings (Oblivion)
2021 Engineering Eternity
2021 Philosophy of Death
2022 Infidelis
2022 The Hanged Man
2023 Hallowed Be Thy Nightmares
2023 L.O.S.T.
2023 Scarlet
2023 The Afterlife Club
???? A Figment of Your Imagination
???? Bestiary
???? Pe(r)sona
???? Sweet Lightspeed
???? The Secret Life of Daydreams
Unit Production Manager:
2016 Solitude
2016 Terambau
2017 A Faerie's Wanderlust
2017 Dusk & Demitasse
2020 To Whom the Bell Rings (Oblivion)
2021 Associates
2021 Engineering Eternity
2021 Philosophy of Death
2022 Infidelis
2022 The Hanged Man
2023 Hallowed Be Thy Nightmares
2023 L.O.S.T.
2023 Scarlet
2023 The Afterlife Club
???? A Figment of Your Imagination
???? Bestiary
???? Pe(r)sona
???? Sweet Lightspeed
???? The Secret Life of Daydreams
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.