A work in constant progress (and occasional regress).
Birthplace:
Zakučac kraj Omiša, Kingdom of Yugoslavia [now Croatia]
Born:
December 18, 1919
Died:
February 24, 1990
Juraj "Jure" Kaštelan (1919–1990) was a Croatian poet and writer, considered one of the most important Yugoslav poets of the twentieth century. His first poems were published in 1936 and 1937. His first novel, Crveni konj (The Red Horse) was published in 1940 in Zagreb, but it was quickly banned and destroyed. This collection espoused revolutionary sentiments that were pervasive among young Croatian poets before the war. Kaštelan believed that poets were not exempt from participating in the struggle towards a better life; during the Second World War he joined the National Liberation Struggle and worked with the Partisan press. During the war he wrote about the revolution and partisan struggles. His cycle Tifusari (Typhus Victims), together with Goran Kovačić’s Jama (The Pit) and Popovič’s Oci (Eyes), considered to be one of the strongest examples of Yugoslav Partisan Poetry. Though Kaštelan is best known for his poetry, he also wrote a play (Pijesak i pjena, Sand and Foam; 1958), a collection of short stories (Čudo i smrt, Wonder and Death), numerous essays, articles, commentaries, and criticisms of his contemporaries. In 1965 he was awarded the Vladimir Nazor Award for Literature, and in 1979 he became a member of the Yugoslav Academy of Sciences and Arts.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.