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Dylan Bokaris (b. 2001)

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Born:
August 25, 2001

Biography from TheMovieDB

Dylan Bokaris is an award-winning and versatile Film/Video Editor and Sound Mixer with a strong command of the Adobe Premiere Pro Suite. Known for his creative vision and technical expertise, Dylan has contributed to a range of acclaimed projects, including Fighting Demons (2021), Everything is Temporary (2022), and We Have Until August (2025), all directed by Mitchell Bulfin.  Dylan’s professional journey began in 2021, during which he has worked with five companies in roles spanning Creative Producer and post-production specialist, including his current position at Seven Network. His ability to craft compelling narratives through meticulous editing and sound design has made him a sought-after talent in the industry.  In addition to his film editing accomplishments, Dylan brings a dynamic and adaptable approach to every project, consistently elevating the storytelling experience with his artistic precision and technical skills.

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Film Production

Editor:
2021  Fighting Demons
2022  Everything is Temporary
2025  We Have Until August

Sound Designer:
2021  Fighting Demons
2022  Everything is Temporary
2025  We Have Until August

Sound Mixer:
2021  Fighting Demons
2022  Everything is Temporary
2025  We Have Until August

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.