A work in constant progress (and occasional regress).
Alias:
مهدي لعلاوي
Birthplace:
Argenteuil, Val-d'Oise, France
Born:
January 1, 1956
Mehdi Lallaoui (arabic : مهدي لعلاوي), born in 1956 in Argenteuil, is a Franco-Algerian writer and director whose productions have the themes of working-class memories (particularly that of Algerian immigration), urban memories and colonial memory. His father, a specialized worker (OS), participated in the peaceful demonstration of October 17, 1961 during which he was beaten and left for dead by the French police. This fact, of which he was only informed at the end of the 1970s, would structure his militant commitment thereafter. In 1983, he was one of the organizers of the first march for equality. After having passed through various union organizations (CGT, CFDT) and political organizations (PCF, PSU, LCR) of the left and extreme left, he decided to launch himself outside the traditional parties in the mid-1980s. He was notably an independent candidate in the regional elections of 1986 and the legislative elections of 19885. In 1989, he led the Black Blanc Beur associative movement in the Paris region. In 1990, he co-founded, with Samia Messaoudi and Benjamin Stora, the association In the Name of Memory. In 2010, he was a juror for the Porte Dorée Literary Prize. In May 2015, he was interviewed for the France Culture program Du grain à moudre entitled “France/Algeria: what to commemorate together? »
Cinematography:
2021 In The Footsteps Of Frantz Fanon
Director:
1991 The Silence of the River
1995 The Setif Massacres, a certain May 8, 1945
2000 Jean-Marie Tjibaou ou le rêve d'indépendance
2004 La Commune de Paris 1871
2011 Manifesto of the 121
2021 In The Footsteps Of Frantz Fanon
Writer:
1991 The Silence of the River
1995 The Setif Massacres, a certain May 8, 1945
2000 Jean-Marie Tjibaou ou le rêve d'indépendance
2004 La Commune de Paris 1871
2011 Manifesto of the 121
2021 In The Footsteps Of Frantz Fanon
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.