A work in constant progress (and occasional regress).
Birthplace:
Jakarta, Indonesia
Mainly focusing on music his whole life, writer/director, Jason Ezra tries to translate his skills onto filmmaking. In his early age, he already writes and directs several short films including 'The Search For Nothing (2020)' and 'Mare (2019)'. Now with his latest work on The Man Who Can't Kiss The Ground, he perfected the combination of quirky-dialogue and stylistic filmmaking whilst bringing the emotional ride to the next level.
Co-Writer:
2023 Golden Slumbers
Director:
2020 Dalam Hitungan
2020 The Search For Nothing
2021 Girl In A Garage
2022 The Warm Blood Of A Dying Man
2023 Golden Slumbers
2023 The Man Who Can't Kiss The Ground
2024 A Sweet Dispatch
Editor:
2020 Dalam Hitungan
2020 The Search For Nothing
2021 Girl In A Garage
2022 The Warm Blood Of A Dying Man
2023 Golden Slumbers
2023 The Man Who Can't Kiss The Ground
2024 A Sweet Dispatch
Music:
2020 Dalam Hitungan
2020 The Search For Nothing
2021 Girl In A Garage
2021 Sorot
2022 The Warm Blood Of A Dying Man
2023 Golden Slumbers
2023 Melius Vivere: Ucup's Ideal Planet
2023 The Man Who Can't Kiss The Ground
2024 A Sweet Dispatch
???? Love, Fame and Breakfast Rolls
Sound Designer:
2020 Dalam Hitungan
2020 The Search For Nothing
2021 Girl In A Garage
2021 Sorot
2022 The Warm Blood Of A Dying Man
2023 Golden Slumbers
2023 Melius Vivere: Ucup's Ideal Planet
2023 The Man Who Can't Kiss The Ground
2024 A Sweet Dispatch
???? Love, Fame and Breakfast Rolls
Writer:
2020 Dalam Hitungan
2020 The Search For Nothing
2021 Girl In A Garage
2021 Sorot
2022 The Warm Blood Of A Dying Man
2023 Golden Slumbers
2023 Melius Vivere: Ucup's Ideal Planet
2023 The Man Who Can't Kiss The Ground
2024 A Sweet Dispatch
???? Love, Fame and Breakfast Rolls
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.