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B.M. Anggana

Alias:
Basundara Murba Anggana

Birthplace:
Yogyakarta, Indonesia

Biography from TheMovieDB

B.M. Anggana is a producer, theatre artist, curator & dramaturg. Founder, director & playwright of Komunitas Sakatoya, a collective that focuses on arts management and ecological theatrical works. Together with Sakatoya, his works have been performed on various platforms. He is the producer of Monisme (2023) directed by Riar Rizaldi, which has been screened at various world festivals such as FID Marseille, Open City Documentary Festival, Black Canvas Contemporary Film Festival, Bucharest International Experimental Film Festival, São Paulo International Film Festival, Adelaide Film Festival, Singapore International Film Festival, Jogja-Netpac Asian Film Festival and Doc Fortnight MoMA. In addition, he is also a producer for Natasha Tontey's works, such as Of Other Tomorrows Never Known (2023) and Garden Amidst the Flame (2022), as well as the film A Tale of The Thieves (2019) directed by Erlangga Fauzan and Osmosia (2023) by Fioretti Vera. In 2019, he was appointed as the Program Director at the Indonesia Dramatic Reading Festival and in 2021-2023 he was appointed as the Performance Curator at ARTJOG. In 2020, he achieved the Professional Development Training – Management Production at Art Center Melbourne, fully funded by the Australian Council of the Art.

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Additional information:

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Film Production

Line Producer:
2022  Dressing Up Father

Producer:
2019  A Tale of the Thieves
2022  Dressing Up Father
2022  Garden Amidst the Flame
2023  Fossilis
2023  Monisme
2023  Of Other Tomorrows Never Known
2024  Larung
2024  Mirage: Eigenstate

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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