A work in constant progress (and occasional regress).
Ariel Baska is a multi-award-winning, multiply Disabled queer horror and documentary filmmaker, who believes in advocacy and accessibility for historically underserved communities. Their work has played on Alaska Airlines, and at film festivals from Berlin to Mexico City to Mumbai. They have presented with Lincoln Center, SXSW (South by Southwest) and the Berlinale on various topics in disability and accessibility in the film and television industry. They are the creator and festival director of ACCESS:HORROR, a film festival and industry summit celebrating the history, future and impact of disability and horror. Regardless of what story they're telling or what work they're doing, they care passionately about the margins.
Director:
2022 Our First Priority
Producer:
2022 Our First Priority
???? Disabled AF
Writer:
2022 Our First Priority
???? Disabled AF
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.