A work in constant progress (and occasional regress).
Born:
April 14, 1972
Alan Ruscoe is a British actor who is best known for his work as various aliens, monsters and androids in the Star Wars films and the television series Doctor Who. On television, he has played Baraquel, Sariel and Araquiel in Sky One's Hex season 2, as well as a number of characters in the 2005 series of Doctor Who: Blon Fel-Fotch Passameer-Day Slitheen in "Aliens of London" and "World War Three" (and briefly in "Boom Town"), lead Auton in "Rose", the Anne Droid in "Bad Wolf" and "The Parting of the Ways", Trine-E in "Bad Wolf", and Lute of the Forest of Cheem in "The End of the World". Ruscoe has also appeared in the Doctor Whoaudio dramas The Veiled Leopard, The Settling, Gallifrey: Annihilation and Bernice Summerfield: Paradise Frost Big Finish Productions. He also played Andrew Stone, a Mars colonist later taken over by an alien lifeform in the November 2009 Doctor Who special "The Waters of Mars". In films, Ruscoe has played Daultay Dofine, Lott Dod and Plo Koon in Star Wars Episode I: The Phantom Menace, and the Mangalore Kino in The Fifth Element. He also played "the Poulterer" in a 2004 television adaptation of A Christmas Carol. He appears alongside Terence Stamp, Vanessa Redgrave and Gemma Arterton in "Song For Marion" released this year. In theatre, he has played Deputy and Snake Preacher in Whistle Down the Wind, Riff Raff in The Rocky Horror Show in the English Theatre Frankfurt, Bob Cratchit in the 2004 touring version of Scrooge and Gussie Fink-Nottle in the 2007 UK tour of By Jeeves. In Germany, he played "Bob" the pizza-boy-eating alien for the T-Online television and poster campaign.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.