A work in constant progress (and occasional regress).
Birthplace:
Long Branch, New Jersey, USA
Born:
January 11, 1969
James Merendino is an American movie director and scriptwriter. He was born in New Jersey, and moved with his family to Salt Lake City, Utah when he was six years old. After pursuing post-secondary education in Rome and Los Angeles, California, studying Western philosophy and theology, Merendino settled in Hollywood, California when he was 19 years old, and began a tenure with Hollywood mogul Dan Melnick. In 1991, Merendino was hired for his first motion picture, Witchcraft IV. His second film, A River Made to Drown In (1997), is a movie that was pivotal to the gay community in the United States, with Richard Chamberlain coming out publicly after the film's release. Merendino's most successful film, SLC Punk, was released in 1998. The film is centered on two punk rockers living in Salt Lake City and follows their daily nihilistic lives. SLC Punk is semi-autobiographical. The 2000 film Magicians was a European co-production with Alan Arkin and Claire Forlani. Amerikana was produced as part of the Dogma 95 by Lars Von Trier. In 2016, the sequel long awaited sequel to SLC Punk, Punk's Dead was released. James Merendino has directed 18 movies also served as the writer on the majority of them. He was nominated for best original screenplay at the Independent Spirit Awards.
Director:
1992 Witchcraft IV: The Virgin Heart
1994 Hard Drive
1994 The Upstairs Neighbour
1995 Terrified
1996 The Real Thing
1997 River Made to Drown In
1998 SLC Punk
2000 Magicians
2001 Amerikana
2004 Trespassing
2011 The Invisible Life of Thomas Lynch
2016 Punk's Dead: SLC Punk 2
2022 Fresh Kills
???? The Evergreen Fade
Executive Producer:
1992 Witchcraft IV: The Virgin Heart
1994 Hard Drive
1994 The Upstairs Neighbour
1995 Terrified
1996 The First Man
1996 The Real Thing
1997 River Made to Drown In
1998 SLC Punk
2000 Magicians
2001 Amerikana
2004 Trespassing
2011 The Invisible Life of Thomas Lynch
2016 Punk's Dead: SLC Punk 2
2022 Fresh Kills
???? The Evergreen Fade
Screenplay:
1992 Witchcraft IV: The Virgin Heart
1994 Hard Drive
1994 The Upstairs Neighbour
1995 Terrified
1996 The First Man
1996 The Real Thing
1997 River Made to Drown In
1998 SLC Punk
2000 Magicians
2001 Amerikana
2004 Trespassing
2011 The Invisible Life of Thomas Lynch
2016 Punk's Dead: SLC Punk 2
2022 Fresh Kills
???? The Evergreen Fade
Writer:
1992 Witchcraft IV: The Virgin Heart
1993 Witchcraft V: Dance with the Devil
1994 Hard Drive
1994 The Upstairs Neighbour
1995 Terrified
1996 The First Man
1996 The Real Thing
1997 River Made to Drown In
1998 SLC Punk
2000 Magicians
2001 Amerikana
2004 Trespassing
2011 The Invisible Life of Thomas Lynch
2016 Punk's Dead: SLC Punk 2
2022 Fresh Kills
???? The Evergreen Fade
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.