Jason Houssein

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Jason Houssein is a London-based set designer for film and television with a background in architecture. Before transitioning to studying production design, he worked as an architect in Rotterdam and New York. His passion for storytelling through design led him to London, where he earned an MA in Production Design from the National Film and Television School (NFTS). He also holds a Diploma in Architecture from Patras School of Architecture in Greece and is a certified architect.  Houssein has collaborated with major industry clients, including Disney, Sony Pictures, Warner Bros., 20th Century Fox, Netflix, Apple TV+, and Universal. Among his notable credits, he contributed as an Art Department Draughtsperson to Universal Pictures’ adaptation of the Broadway and West End musical Wicked.  His work as a Production Designer on the short film Homebird earned it a place on the longlist for Best British Short Animation at the 2022 BAFTA Awards.

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Art Department Assistant:
2019  The Healer
2021  Dream Horse

Draughtsman:
2019  The Healer
2021  Dream Horse
2024  Wicked
2025  Wicked: For Good
2026  Project Hail Mary

Production Design:
2019  The Healer
2021  Dream Horse
2021  Homebird
2024  Wicked
2025  Wicked: For Good
2026  Project Hail Mary

Assistant Art Director:
2023  Citadel

Draughtsman:
2023  Citadel
2023  Silo

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.