A work in constant progress (and occasional regress).
Birthplace:
Dallas, Texas, USA
Born:
July 31, 1985
During his time at the Academy, he developed a passion for filmmaking and began working on various projects. Joe's unique style of filmmaking is best described as comically dark and violent. His most notable works include "The Torturer," which was released in 2020, and "Vicemares," which premiered in December 2023.
Art Designer:
2013 Pros and Cons: A Fantasy Football Movie
Associate Producer:
2013 Pros and Cons: A Fantasy Football Movie
2020 The Man Who Left Nothing
Cinematography:
2013 Pros and Cons: A Fantasy Football Movie
2015 Circus Sisters
2015 Don't Take the Drag
2016 Burnouts
2018 Dildo of the Dead
2018 Wenn Krampus Kommt
2019 Murderballs
2020 The Man Who Left Nothing
Director:
2013 Pros and Cons: A Fantasy Football Movie
2013 The Black Room
2014 Cupcake
2015 Circus Sisters
2015 Don't Take the Drag
2016 Burnouts
2017 Anti Christmas Carol
2018 Dildo of the Dead
2018 Wenn Krampus Kommt
2019 Murderballs
2020 Hellbound Laments
2020 The Man Who Left Nothing
2020 The Torturer
2021 Beyond Dusk
2023 Vicemares
2025 Death World
Editor:
2013 Pros and Cons: A Fantasy Football Movie
2013 The Black Room
2014 Cupcake
2015 Circus Sisters
2015 Don't Take the Drag
2016 Burnouts
2017 Anti Christmas Carol
2018 Dildo of the Dead
2018 Wenn Krampus Kommt
2019 Murderballs
2020 Hellbound Laments
2020 The Man Who Left Nothing
2020 The Torturer
2021 Beyond Dusk
2023 Vicemares
2024 Tromalesque
2025 Death World
First Assistant Director:
2013 Pros and Cons: A Fantasy Football Movie
2013 The Black Room
2014 Cupcake
2015 Circus Sisters
2015 Don't Take the Drag
2016 Burnouts
2017 Anti Christmas Carol
2018 Dildo of the Dead
2018 Wenn Krampus Kommt
2019 Murderballs
2020 Hellbound Laments
2020 The Man Who Left Nothing
2020 The Torturer
2021 Beyond Dusk
2022 Corsicana
2023 Vicemares
2024 Tromalesque
2025 Death World
???? Evil for Dinner
Producer:
2013 Pros and Cons: A Fantasy Football Movie
2013 The Black Room
2014 Cupcake
2015 Circus Sisters
2015 Don't Take the Drag
2016 Burnouts
2017 Anti Christmas Carol
2018 Dildo of the Dead
2018 Wenn Krampus Kommt
2019 Murderballs
2020 Demon Metal Murder V: New Blood
2020 Hellbound Laments
2020 The Man Who Left Nothing
2020 The Torturer
2021 Beyond Dusk
2022 Corsicana
2023 Vicemares
2024 Tromalesque
2025 Death World
???? Evil for Dinner
Writer:
2013 Pros and Cons: A Fantasy Football Movie
2013 The Black Room
2014 Cupcake
2015 Circus Sisters
2015 Don't Take the Drag
2016 Burnouts
2017 Anti Christmas Carol
2018 Dildo of the Dead
2018 Wenn Krampus Kommt
2019 Murderballs
2020 Demon Metal Murder V: New Blood
2020 Hellbound Laments
2020 The Man Who Left Nothing
2020 The Torturer
2021 Beyond Dusk
2022 Corsicana
2023 Vicemares
2024 Tromalesque
2025 Death World
???? Evil for Dinner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.