A work in constant progress (and occasional regress).
Birthplace:
Perth, Western Australia, Australia
Born:
February 28, 2000
Jack Ruefli is an Australian filmmaker currently based in Perth, Western Australia. Jack writes and directs his own projects as well as works as a producer and assistant on other independent projects, working within his production company Wolftale Pictures, he looks to create better films every year. Ruefli's most recent film has a massed over 13 festival wins, 1 Finalist and 2 Semi-Finalist awards, 4 nominations, 1 honorable mention and 33 selections from festivals all around the globe.
Camera Operator:
2021 Medicine for the Apocalypse
Colorist:
2021 Medicine for the Apocalypse
Director:
2019 Chasing Spaceships
2020 The Runaway
2021 Medicine for the Apocalypse
2022 Sorrowing Man
2023 Overwritten
Editor:
2019 Chasing Spaceships
2020 The Runaway
2021 Medicine for the Apocalypse
2022 Sorrowing Man
2023 Overwritten
Executive Producer:
2019 Chasing Spaceships
2020 The Runaway
2021 Medicine for the Apocalypse
2022 Sorrowing Man
2023 Overwritten
???? Chances Are You Just Might Find It
???? The Incurable Illness of Anxiety and Depression
First Assistant Director:
2019 Chasing Spaceships
2020 Static
2020 The Runaway
2021 Medicine for the Apocalypse
2022 Sorrowing Man
2023 Overwritten
???? Chances Are You Just Might Find It
???? The Incurable Illness of Anxiety and Depression
Gaffer:
2019 Chasing Spaceships
2020 Static
2020 The Runaway
2021 Medicine for the Apocalypse
2021 Stranger
2022 Incognito
2022 Sorrowing Man
2023 Overwritten
???? Chances Are You Just Might Find It
???? The Incurable Illness of Anxiety and Depression
Producer:
2019 Chasing Spaceships
2020 Static
2020 The Runaway
2021 Medicine for the Apocalypse
2021 Stranger
2022 Incognito
2022 Sorrowing Man
2023 Overwritten
???? Chances Are You Just Might Find It
???? The Incurable Illness of Anxiety and Depression
???? Three Story Tour
Second Unit Director:
2019 Chasing Spaceships
2020 Static
2020 The Runaway
2021 Medicine for the Apocalypse
2021 Stranger
2022 Incognito
2022 Sorrowing Man
2023 Overwritten
???? Chances Are You Just Might Find It
???? The Incurable Illness of Anxiety and Depression
???? Three Story Tour
Stunt Coordinator:
2019 Chasing Spaceships
2020 Static
2020 The Runaway
2021 Medicine for the Apocalypse
2021 Stranger
2022 Incognito
2022 Sorrowing Man
2023 Overwritten
???? Chances Are You Just Might Find It
???? The Incurable Illness of Anxiety and Depression
???? Three Story Tour
Stunts:
2019 Chasing Spaceships
2020 Static
2020 The Runaway
2021 Medicine for the Apocalypse
2021 Stranger
2022 Incognito
2022 Sorrowing Man
2023 Overwritten
???? Chances Are You Just Might Find It
???? The Incurable Illness of Anxiety and Depression
???? Three Story Tour
Writer:
2019 Chasing Spaceships
2020 Static
2020 The Runaway
2021 Medicine for the Apocalypse
2021 Stranger
2022 Incognito
2022 Sorrowing Man
2023 Overwritten
???? Chances Are You Just Might Find It
???? The Incurable Illness of Anxiety and Depression
???? Three Story Tour
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.