A work in constant progress (and occasional regress).
Birthplace:
Málaga, Andalucía, Spain
Assistant Camera:
???? Parsec One
Camera Operator:
2023 Astarté
???? Parsec One
Color Grading:
2023 Astarté
???? Parsec One
???? Ser Eterno
Colorist:
2023 Astarté
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Costume Coordinator:
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Digital Imaging Technician:
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Director:
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Editor:
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Graphic Designer:
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Post Production Coordinator:
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Post Production Supervisor:
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Producer:
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Props:
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Sound Recordist:
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Stunt Double:
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
VFX Artist:
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Writer:
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2024 El arte de cagar
???? Parsec One
???? Ser Eterno
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.