A work in constant progress (and occasional regress).
Art Direction:
2020 Wotakoi: Love is Hard for Otaku
Decorator:
2018 You, Your, Yours
2019 Five Million Dollar Life
2019 Mr. Hikita, I Am Knocked Up
2020 Romance Doll
2020 Wotakoi: Love is Hard for Otaku
2021 Cinematic Liars of Asahi-za
2022 My Broken Mariko
2023 Call Me Chihiro
2023 Dreaming in Between
2023 In Her Room
2023 Side By Side
2024 The Women in the Lakes
2024 The Young Strangers
2025 5 Centimeters per Second
2025 Strangers in Kyoto
Production Design:
2010 Takumi-kun Series: The Beauty of Detail
2017 Psychic Kusuo
2018 50 First Kisses
2018 You, Your, Yours
2019 Five Million Dollar Life
2019 Mr. Hikita, I Am Knocked Up
2020 #HandballStrive
2020 Romance Doll
2020 Wotakoi: Love is Hard for Otaku
2021 Cinematic Liars of Asahi-za
2022 My Broken Mariko
2022 The World of You
2023 Call Me Chihiro
2023 Dreaming in Between
2023 In Her Room
2023 Insomniacs After School
2023 Side By Side
2024 The Women in the Lakes
2024 The Young Strangers
2025 5 Centimeters per Second
2025 Strangers in Kyoto
Set Decoration:
2010 Takumi-kun Series: The Beauty of Detail
2017 Psychic Kusuo
2018 50 First Kisses
2018 Oh Lucy!
2018 You, Your, Yours
2019 Five Million Dollar Life
2019 Mr. Hikita, I Am Knocked Up
2020 #HandballStrive
2020 Romance Doll
2020 Wotakoi: Love is Hard for Otaku
2021 Cinematic Liars of Asahi-za
2022 My Broken Mariko
2022 Tell It Like a Woman
2022 The World of You
2023 Call Me Chihiro
2023 Dreaming in Between
2023 In Her Room
2023 Insomniacs After School
2023 Side By Side
2024 The Women in the Lakes
2024 The Young Strangers
2025 5 Centimeters per Second
2025 Strangers in Kyoto
Decorator:
2022 Gudetama: An Eggcellent Adventure
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.