A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
June 22, 1949
Pierre Amoyal (born 22 June 1949 in Paris) is a French violinist and is the artistic director of the Conservatory of Lausanne. He owns the "Kochanski" Stradivarius of 1717. It was stolen from him in 1987 and recovered in 1991. He studied at the Conservatoire de Paris, graduating at age 12 with a First Prize (in 1961). He then won the Ginette Neveu Prize in 1963, and the Paganini Prize in 1964. At age 17, he traveled to Los Angeles for five years of study with Jascha Heifetz, which culminated in participating in chamber-music recordings with Heifetz. During this time he won the Enescu Prize (1970). He has toured extensively, made numerous recordings and played with many major conductors, such as Sir Georg Solti, with whom he made his European debut at the age of 22, Pierre Boulez, and Herbert von Karajan with the Berlin Philharmonic He was violin teacher at the Conservatoire de Paris and then at the Conservatory of Lausanne, until June 2014. Then he was teacher at the Mozarteum University of Salzburg and in Japan. He is the artistic director of the Conservatory of Lausanne. In 2002, he founded the Camerata de Lausanne, a string orchestra. He also created and organised the "violin and piano master-classes" of the Music Academy of Lausanne since 1991. He was made a Chevalier of Arts and Letters in 1985 and promoted to Knight of the National Order of Merit in 1995. He also received the Prix du rayonnement de la Fondation vaudoise pour la culture in 2002, and the Prix de Lausanne in 2006. Source: Article "Pierre Amoyal" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.