A work in constant progress (and occasional regress).
Birthplace:
Bern, Switzerland
Born:
March 11, 1966
Born 1966 in Bern/Switzerland as the son of actress Elisabeth Trissenaar and director Hans . First encounter with film-industry 1982 as production assistant for the feature Penthesiliea. He worked several years as camera assistant and operator for R.W. Fassbinder's former DP Xaver Schwarzenberger and Wim Wenders close collaborator Robby Mueller. In early years he founded his own low-budget orientated production company Giselafilms Berlin. Since his study at the german film and television school (dffb) in Berlin, he is responsible for the cinematography of more than 60 features and documentaries and additional for the lighting design of various stage plays in opera and theater. He is giving master- camera -classes in major film schools in Germany for more than 20 years. Benedict Neuenfels is member of the german, austrian and european film-academy. His work has been awarded numerous times. He received several times both the prestigious Grimme Award and the German Television award, the Bavarian and the German Film Award each, as well as seven times the German Camera Award for outstanding cinematography. The counterfeiters, which he photographed in 2007, won an Academy Award for best foreign feature film the following year. In 2011 he was honored by the German Academy of Arts for outstanding achievement in cinematography. In 2018 he received various awards for the feature STYX. In 2019 he received the Lifetime Honory Award for Cinematography - German Camera Award . So he will join the chain of outstanding former recipients like Michael Ballhaus, Robby Mueller, Renato Berta, Slawomir Idziak, Xaver Schwarzenberger, Judith Kaufmann, Elfie Mikesch, Jürgen Jürges...
Camera Operator:
2000 Lost Killers
2012 Riskante Patienten
Cinematography:
1995 Bunte Hunde
1997 The Scorpion
2000 Ich bin keiner von uns
2000 Lost Killers
2012 Riskante Patienten
2012 The Weekend
Director of Photography:
1993 Ins Leere
1995 Bunte Hunde
1996 Landgang für Ringo
1997 The Scorpion
1998 Frau Rettich, die Czerni und ich
1998 Mein großer Freund
2000 Ich bin keiner von uns
2000 Lost Killers
2002 A Map of the Heart
2003 They've Got Knut
2004 21 Liebesbriefe
2006 The Red Cockatoo
2007 Love Life
2007 The Counterfeiters
2007 The Man from the Embassy
2008 A Woman in Berlin
2010 Mahler on the Couch
2011 Homevideo
2012 Cause I Have the Looks
2012 Riskante Patienten
2012 The Weekend
2014 Radical Evil
2015 Girl in the Ice
2017 Cold Hell
2018 Patient Zero
2018 Styx
2020 Narcissus and Goldmund
2021 Hinterland
2021 I'm Your Man
2022 In a Land That No Longer Exists
2024 Stella. A Life.
Camera Technician:
2019 8 Days
Director of Photography:
1970 Scene of the Crime
2016 Fatal News
2019 8 Days
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.