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Mauro Zingarelli (b. 1991)

Birthplace:
Foggia, Puglia, Italy

Born:
March 7, 1991

Biography from TheMovieDB

Mauro Zingarelli is an Italian director, born in Foggia and based in Rome. After graduating in Directing at NUCT, he made several adv and short films including Tieni gli Occhi Chiusi, a fantasy short film presented at Lucca Comics & Games 2018, Ti Prego, a thriller/horror with Miguel Gobbo Diaz and Every Time, an action short film in collaboration with Buddybank.  During his career he started a collaboration with the independent production company Slim Dogs, for which he directed various projects such as the programs for DMAX Micromostri and 72 Animali Pericolosi with Barbascura X.  For the Slim Dogs YouTube channel he is the author and co-host of the format "Come Ca**o Hanno Fatto" and various other formats in which he deals with dissemination related to the world of cinema and its production. Again with Slim Dogs, in 2021 he made Nostos, a post-apocalyptic short film whose production and filming were entirely broadcast live on Twitch. The short was previewed, in competition, at the International Critics' Week of the 79th Venice Film Festival.  (Source: https://www.luccacomicsandgames.com/it/2023/ospiti/dettaglio/zingarelli-mauro/)

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Film Production

Director:
2018  Keep your eyes closed
2022  Nostos

Producer:
2018  Keep your eyes closed
2022  Nostos

Script:
2018  Keep your eyes closed
2022  Nostos
2025  COMBATTERE

Visual Effects:
2018  Keep your eyes closed
2022  Nostos
2025  COMBATTERE

Writer:
2018  Keep your eyes closed
2022  Nostos
2025  COMBATTERE

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TV Performances

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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