A work in constant progress (and occasional regress).
Christian Davis is a budding producer, director, cinematographer, and editor, from St. John's, Newfoundland and Labrador. He's been in the film and television industry for over ten years, working his way up through both sides of production and post-production. Christian currently runs his own production company, Davis Film, Inc. and in 2021 produced two short horror films, consecutively, as part of NIFCO's Picture Start program: Grind Mind's Mummering Legends (2021), and Mike Hickey's That Halloween (2021). Since starting DavisFilm in 2020, he's taken on more key roles in independent television and film productions. He's affiliated with marketing firms in St. John's, and has also done work on various national campaigns. Christian's inspiration includes everything from Star Wars and Blade Runner, to The Collective's mountain bike films, and even other media, such as video games like Breath of the Wild and The Old Republic, and the master piece manga series, Akira. His love of progression never stops, and he's even started experimenting in design with Unreal Engine for the next level of production. Recent production credits include director on the mountain bike series Ride the Rock (2022), director of photography on Kerrin Kenny's short La Véillée (2021), and camera operator on web series These Are My Mountains & on Cody Westman's documentary Hell or Clean Water (2021). Mummering Legends and That Halloween are currently on the film festival circuit, with the former getting reviewed in Rue Morgue magazine's December 2021 issue, and the latter getting nominated for best short film at 2021 Blood In The Snow festival.
Assistant Editor:
2015 Sundays
Cinematography:
2015 Sundays
2017 Jacob1234
2020 Tomorow's Headline
2021 Hell or Clean Water
Data Management Technician:
2013 Infanticide!
2015 Sundays
2017 Jacob1234
2018 Crown and Anchor
2020 Tomorow's Headline
2021 Hell or Clean Water
Director of Photography:
2013 Infanticide!
2015 Sundays
2017 Jacob1234
2018 Crown and Anchor
2019 River of Fire
2019 The Troll
2020 Tomorow's Headline
2021 Hell or Clean Water
2022 La Véillée
Editor:
2013 Infanticide!
2015 Catherine Adelaide
2015 Sundays
2017 Jacob1234
2018 Crown and Anchor
2019 River of Fire
2019 The Troll
2020 Tomorow's Headline
2021 Hell or Clean Water
2021 Mummering Legends
2022 La Véillée
First Assistant Camera:
2013 Infanticide!
2015 Catherine Adelaide
2015 Sundays
2017 Jacob1234
2018 Crown and Anchor
2018 She Looks Familiar
2019 River of Fire
2019 The Troll
2020 Tomorow's Headline
2021 Express Checkout
2021 Hell or Clean Water
2021 Mummering Legends
2022 La Véillée
2023 Close to the Bone: The Film
2024 Bedlamer
Producer:
2013 Infanticide!
2015 Catherine Adelaide
2015 Sundays
2017 Jacob1234
2018 Crown and Anchor
2018 She Looks Familiar
2019 River of Fire
2019 The Troll
2020 Tomorow's Headline
2021 Express Checkout
2021 Hell or Clean Water
2021 Mummering Legends
2021 That Halloween
2022 La Véillée
2023 Close to the Bone: The Film
2024 Bedlamer
Second Assistant Camera:
2013 Infanticide!
2015 Catherine Adelaide
2015 Sundays
2017 Jacob1234
2018 Crown and Anchor
2018 She Looks Familiar
2019 River of Fire
2019 The Troll
2020 Tomorow's Headline
2021 Express Checkout
2021 Hell or Clean Water
2021 Mummering Legends
2021 That Halloween
2022 La Véillée
2023 Close to the Bone: The Film
2024 Bedlamer
Sound Recordist:
2013 Infanticide!
2015 Catherine Adelaide
2015 Sundays
2017 Jacob1234
2018 Crown and Anchor
2018 She Looks Familiar
2019 River of Fire
2019 The Troll
2020 Tomorow's Headline
2021 Express Checkout
2021 Hell or Clean Water
2021 Mummering Legends
2021 That Halloween
2022 La Véillée
2023 Close to the Bone: The Film
2024 Bedlamer
Camera Operator:
2020 Adventures Unknown
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.