Home

Noel Vinson

Alias:
VITAL Emcee

Birthplace:
California

Biography from TheMovieDB

Noel Vinson is a producer, writer and director. He is best known for the short horror film, Jane (2021), a winner of Stage 32's 7th Annual Short Film Competition, as well as Dusters (2020), The Malicious (2019) and I'm Sorry Mommy (2017). Additionally, you'll hear him lending his voice to the popular true crime podcast, The Evidence Locker.  As an experienced entertainment professional from Los Angeles, Noel's early success as a hip-hop artist propelled him onto the world stage where he toured internationally from LA to Shanghai and to Sydney, Australia where he is now based.  His films have attracted more than twenty awards and nominations from multiple festivals. He is a prolific independent filmmaker with a focus on working collaboratively with international artists on feature films, shorts and podcasts under the umbrella of his company, Dissenter Stage Entertainment.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Director:
2019  The Malicious
2020  Dusters
2021  Jane
????  deadfish.

Editor:
2019  The Malicious
2020  Dusters
2021  Jane
????  deadfish.

Music:
2017  I'm Sorry Mommy
2019  The Malicious
2020  Dusters
2021  Jane
????  deadfish.

Producer:
2017  I'm Sorry Mommy
2019  Bilched
2019  The Malicious
2020  Dusters
2021  Jane
????  deadfish.

Writer:
2017  I'm Sorry Mommy
2019  Bilched
2019  The Malicious
2020  Dusters
2021  Jane
????  deadfish.

Click the heading above to show or hide the list.

TV Performances

Click the heading above to show or hide the list.

TV Production

Creator:
2020  Axmo Deus

Director:
2020  Axmo Deus

Producer:
2020  Axmo Deus

Writer:
2020  Axmo Deus

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.