Laura Neal

Laura Neal is a writer.  Neal was named a Broadcast Hot Shot in 2012, and she began her writing career at just 18. While studying at the University of Bristol, she won the Hull Truck Prize in 2007. That year, she was selected for the Paines Plough Future Perfect scheme and the Royal Court Writers Programme. In 2008, her play Killing Jonathan was shortlisted for the Rod Hall and Theatre503 awards. She continued developing her voice throughout her studies, writing for acclaimed theatre companies, including the Old Vic, Paines Plough, and Clean Break.  Her television credits include Secret Diary of a Call Girl (Tiger Aspect/ITV2), the original short film New Cross starring Russell Tovey (Touchpaper/C4), My Mad Fat Diary (Drama Republic/C4), and Tatau (Touchpaper/BBC). More recently, she has written for several Netflix productions, including Idris Elba’s Turn Up Charlie and the global phenomenon Sex Education.  In 2017–2018, Laura was selected for the prestigious Advanced Writing for Television Drama Programme, run by MediaXchange and Creative Skillset. This scheme is designed for established writers nominated by senior industry figures.  Laura went on to serve as Lead Writer and Executive Producer on the fourth series of Killing Eve, having previously contributed episodes to the third season.

Additional information:

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Executive Producer:
2018  Killing Eve

Writer:
2018  Killing Eve
2019  Sex Education

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.