A work in constant progress (and occasional regress).
Associate Producer:
1951 The Port of the Seven Sins
Screenplay:
1930 The Gripper
1931 Perpetrator wanted
1931 The Squeeker
1950 Huellas del pasado
1951 The Port of the Seven Sins
1959 Fellowship of the Frog
1960 The Red Circle
1961 Dead Eyes of London
1962 Er kanns nicht lassen
1962 Secret of the Red Orchid
1962 The Inn on the River
Story:
1930 The Gripper
1931 Perpetrator wanted
1931 The Squeeker
1950 Huellas del pasado
1951 The Port of the Seven Sins
1953 Mujeres que trabajan
1959 Fellowship of the Frog
1960 The Red Circle
1961 Dead Eyes of London
1962 Er kanns nicht lassen
1962 Secret of the Red Orchid
1962 The Inn on the River
Writer:
1930 The Gripper
1930 The Shot in the Talker Studio
1930 The Tiger Murder Case
1931 Express 13
1931 Perpetrator wanted
1931 The Squeeker
1931 Trapeze
1931 Victoria and Her Hussar
1932 A Shot at Dawn
1932 Coup de feu à l'aube
1938 Prison Without Bars
1946 Embrujo antillano
1948 Algo flota sobre el agua
1948 La casa de la Troya
1949 La dama del velo
1950 Huellas del pasado
1950 Yo quiero ser tonta
1951 Canasta Uruguaya
1951 Girls in Uniform
1951 The Port of the Seven Sins
1953 Mujeres que trabajan
1954 Phantom of the Big Tent
1959 Fellowship of the Frog
1960 The Red Circle
1961 Dead Eyes of London
1961 The Devil's Daffodil
1962 Er kanns nicht lassen
1962 Secret of the Red Orchid
1962 The Inn on the River
1963 The White Spider
1964 The Inn on Dartmoor
1983 The Train Killer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.