A work in constant progress (and occasional regress).
Alias:
Tzvi
Birthplace:
Brooklyn, New York, U.S.
Tzvi was born and raised in Brooklyn, NY, in an ultra-orthodox Jewish community that viewed most modern cinema as contraband. As a result, Tzvi grew up clandestinely watching films, including his favorites: Stanley Donen's Charade, Star Wars: A New Hope, and Fellini's 8 1/2. Strongly influenced by theology and remodernist art movements, Tzvi strives to create thought-provoking and meaningful films, that often contain spiritual themes. His debut feature film "MAN" premiered at the Woodstock Film Festival.
Cinematography:
2019 Love at First Sight
2020 Life of a Doll
2020 Phenomerotica
Director:
2019 Love at First Sight
2020 Anastasis
2020 Life of a Doll
2020 Phenomerotica
2021 I Think I See God in the Window
2022 Killer of Men
???? The Walker
Editor:
2019 Love at First Sight
2020 Anastasis
2020 Life of a Doll
2020 Phenomerotica
2021 I Think I See God in the Window
2022 Killer of Men
???? The Walker
First Assistant Director:
2019 Love at First Sight
2020 Anastasis
2020 Life of a Doll
2020 Phenomerotica
2021 I Think I See God in the Window
2022 Killer of Men
???? Carol Crawford
???? The Walker
Producer:
2019 Love at First Sight
2020 Anastasis
2020 Life of a Doll
2020 Phenomerotica
2021 I Think I See God in the Window
2022 Killer of Men
???? Carol Crawford
???? The Walker
Production Design:
1999 Im Hukim
2019 Love at First Sight
2020 Anastasis
2020 Life of a Doll
2020 Phenomerotica
2021 I Think I See God in the Window
2022 Killer of Men
???? Carol Crawford
???? The Walker
Writer:
1999 Im Hukim
2019 Love at First Sight
2020 Anastasis
2020 Life of a Doll
2020 Phenomerotica
2021 I Think I See God in the Window
2022 Killer of Men
???? Carol Crawford
???? The Walker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.