Sean Pecknold

Sean Pecknold is an independent animator, music video and film director from Seattle, Washington based in Los Angeles, CA.  He uses analog filmmaking techniques to create stories about lonely shapes, people, animals, and objects. He enjoys wandering into visually strange and magical places. It’s not just girl meets boy. It’s girl meets boy then turns into a tree. His body of work includes award-winning films and animations for Fleet Foxes, John Legend, Netflix, Dreamworks, Dirty Projectors, Google, Sony, Lyft, Headspace, The New York Times, and the BBC. His work has been presented at film and design festivals all over the world and his animated film The Shrine / An Argument won the Best Animation at the UKMVAs in London. Sean is a proud recipient of a Young Gun Award from the Art Director’s Club of America. He runs Sing-Sing studio in Los Angeles with his partner Adi Goodrich and has taught stop-motion classes in NYC, Seattle, Los Angeles, and CalArts. He recently directed and animated stop-motion for Song Exploder on Netflix as well as stop-motion for Worn Stories also on Netlfix.  He is a contributing columnist to The Smudge.  He is currently working on a feature length stop-motion film called The Last Forest.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.