A work in constant progress (and occasional regress).
Alias:
Pat
Patricio Escartín Murillo
Birthplace:
Mexico City, México
Born:
April 19, 2001
Patricio Escartín is a Mexican filmmaker who directed The Noise of Time (2024), a documentary short film that has been selected for nearly 15 festivals worldwide. The film has earned multiple nominations and distinctions, including recognition from El Universal diary as part of "The Best of Mexican Cinema 2024." Currently, Patricio is in his eighth semester of a Cinematography degree at the National School of Cinematographic Arts (ENAC) in Mexico, but nowadays he studies in the University of Essex, United Kingdom, through the UNAM exchange program. His filmmaking journey began with The Bastard Son (2019), his debut short film, which has garnered over 7,000 views on YouTube. That same year, his research in cinema earned him First Place in UNAM’s Youth Research Program at the National High School of UNAM. Patricio later studied at UNAM’s Dramatic Literature and Theatre College while gaining hands-on industry experience as a production assistant at companies like Guayabo Films and Landia, contributing to the production of music videos. During the pandemic, he furthered his education through online film courses before joining ENAC in 2021. He has been actively involved in various student and independent short films, taking on multiple roles, including Director of Photography (DP), Production Designer, Producer, Editor, Sound Designer, and Assistant Director (AD).
Assistant Camera:
2023 Empty Shelves
2023 Wanted
Assistant Director:
2023 Empty Shelves
2023 Self-Complacency
2023 Wanted
Colorist:
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
Director:
2019 The Bastard Son
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 The Noise of Time
Director of Photography:
2019 The Bastard Son
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 The Noise of Time
Editor:
2019 The Bastard Son
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 The Noise of Time
Lighting Production Assistant:
2019 The Bastard Son
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 Misión mudanza
2024 The Noise of Time
Post Producer:
2019 The Bastard Son
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 Misión mudanza
2024 The Noise of Time
Producer:
2019 The Bastard Son
2023 Drowning
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 Misión mudanza
2024 The Noise of Time
Production Design:
2019 The Bastard Son
2023 Drowning
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 Misión mudanza
2024 The Noise of Time
Screenplay:
2019 The Bastard Son
2023 Drowning
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 Misión mudanza
2024 The Noise of Time
Sound Editor:
2019 The Bastard Son
2023 Drowning
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 Misión mudanza
2024 The Noise of Time
2024 With Strings and Accordion
Sound Mixer:
2019 The Bastard Son
2023 Drowning
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 Misión mudanza
2024 The Noise of Time
2024 With Strings and Accordion
Sound Recordist:
2019 The Bastard Son
2023 Drowning
2023 Empty Shelves
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 Misión mudanza
2024 The Noise of Time
2024 With Strings and Accordion
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.