A work in constant progress (and occasional regress).
Birthplace:
Tel-Aviv, Israel
Born:
November 4, 1935
Died:
June 2, 2022
Uri Zohar was a prominent Israeli film director, actor, and comedian who later became an Orthodox rabbi. Born in Tel Aviv, he began his career in the entertainment industry in the 1950s, gaining fame for his work in Israeli cinema and television. Zohar directed and starred in several influential films, including Hole in the Moon (1964), Three Days and a Child (1967), and Big Eyes (1974). His films often explored social issues and the complexities of Israeli society. In the late 1970s, Zohar experienced a significant personal transformation, embracing Orthodox Judaism and leaving the entertainment industry to become a rabbi. He dedicated the latter part of his life to religious study and community work, becoming a prominent figure in the Orthodox Jewish community. Zohar passed away in Jerusalem at the age of 86.
Adaptation:
1961 An exercise in simple symbols
Director:
1961 An exercise in simple symbols
1962 The True Story of Palestine
1964 Hole in the Moon
1966 Moishe Air-Condition
1966 Shabat Shalom - The Foot and the Ball
1968 Every Bastard a King
1968 Fish, Football and Girls
1968 The Other Side
1969 Three Days and a Child
1970 Bloomfield
1970 Take Off
1971 Ha-Tarnegol
1972 Peeping Toms
1974 Big Eyes
1977 Save the Lifeguard
1988 Lool
Writer:
1961 An exercise in simple symbols
1962 The True Story of Palestine
1964 Hole in the Moon
1966 Moishe Air-Condition
1966 Shabat Shalom - The Foot and the Ball
1968 Every Bastard a King
1968 Fish, Football and Girls
1968 The Other Side
1969 Three Days and a Child
1970 Bloomfield
1970 Take Off
1971 Ha-Tarnegol
1972 Peeping Toms
1974 Big Eyes
1977 Save the Lifeguard
1988 Lool
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.