A work in constant progress (and occasional regress).
Alias:
Seu Manoelzinho
Died:
November 10, 2018
With only an old VHS camera, Manoel Loreno (known as "Seu Manoelzinho") made more than 20 films. To survive, he worked as a movie theater janitor and bricklayer's assistant. But with productions such as "O Espantalho Assassino" (2000), "O Rico Pobre" (2002, remade in 2009), "O Homem Sem Lei" (2006) and "A Gripe do Frango" (2008) he gained fame in the community where he lives and even featured prominently in print and television. As he doesn't know how to read or write, he outlines the scenes he imagines by tracing them on the ground with a stick, always in the shade of the same tree he chose as inspiration. He has a predilection for filming Western, in productions where he is always the hero. In everyday life, he walks through the small town of Mantenópolis dressed in a characteristic cape and hat. Although hilarious, his films are made with seriousness and he says that the humor they provoke is unwittingly obtained by unusual situations, resulting from the precariousness of the productions.
Director:
1989 A maudição da casa de Vanirinho
1989 Loreno contra o Espantalho Assassino
2006 O Homem Sem Lei
2009 O Rico Pobre
Producer:
1989 A maudição da casa de Vanirinho
1989 Loreno contra o Espantalho Assassino
2006 O Homem Sem Lei
2009 O Rico Pobre
Production Executive:
1989 A maudição da casa de Vanirinho
1989 Loreno contra o Espantalho Assassino
2006 O Homem Sem Lei
2009 O Rico Pobre
Screenplay:
1989 A maudição da casa de Vanirinho
1989 Loreno contra o Espantalho Assassino
2006 O Homem Sem Lei
2009 O Rico Pobre
Writer:
1989 A maudição da casa de Vanirinho
1989 Loreno contra o Espantalho Assassino
2006 O Homem Sem Lei
2009 O Rico Pobre
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.