A work in constant progress (and occasional regress).
Birthplace:
Lugo, Galicia, Spain
Born:
January 1, 1947
BA in Fine Arts from the Universidad Complutense de Madrid. Teaches Drawing in Secondary Education Centres. He was lecturer in Audiovisual and Multimedia Languages at the Scola de Imaxe e Son de A Coruña. In 1985 he replaces his painting brushes for electronic tools, and develops his art work in the field of video art, video installations and digital art. He participates in Arco 88, Arco 89 and many other Spanish and international shows (Hannover, Arnheim, Utrecht, Rennes, Cannes, Ljubljana, Naples, Sydney, Graz, Kassel, Berlin, Innsbruck, Sao Paolo, Helsinki, Lynz, Moscow, etc.). Ignacio Pardo is one of the pioneers of video art in Galicia and in Spain. His video work revolves around the classic themes of Eros and Thanatos. The most present motifs in his work refer to the putrefaction of the meat, generally through flies or other eschatological elements, the viscera or blood. He is also interested in suffering and pain, reflected either through nails that wound the flesh, scissors that amputate it, or through a frantic montage, violent at times, that makes images collide in the human eye. The erotic and the sexual are shown in a rather biological way, without resorting to pornographic or sensual images: sexuality as a natural element is present in his work (both penetration and sexual organs), but generally wrapped in a humorous tone that nullifies their erotic potentiality and end up generating an abstract perception of the sexual in a level close to the contingent: everything, absolutely everything, will end up dying and sex continues to be the origin of more death. However, he is not framed within a saddening current, in the baroque way of tempus fugit, but rather, with a lot of humour, there is at the center of his work a great joy for living: as if he were reaching an illuminating vision of reality, of back from life, and - knowing and accepting extinction as a natural part of life - he decided to live uninhibited, celebrating every moment, including the instinctual and the lascivious in the normality of life, away from puritanical orthodoxies.
Director:
1985 Videoviolín
1986 Parpadeo
1987 Triángulo
1988 Tránsito
1990 Corpore insepulto
1992 Ninfografia
1993 Carne viva
1994 Ojo de pez
1995 Ventanas de noche
1996 La tentación del caracol vive arriba (C)
2003 Moscas
2004 Paseantes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.