A work in constant progress (and occasional regress).
Alias:
Gkie Erebaren
Birthplace:
Bacolod City, Philippines
Gkie Ere, a feminist and celebrated filmmaker, is a graduate with a Bachelor of Arts in Communication. Recognized for her outstanding achievements in crafting award-winning short films, Gkie is equally adept as a versatile video artist and street photographer, having exhibited her work across the Philippines. Beyond her directorial triumphs, Gkie has been a vital contributor to various film productions, showcasing her skills as an assistant director, cinematographer, editor, and wardrobe master. At the heart of Gkie's creative journey lies a dedication to portraying women's narratives. Her filmography adeptly explores the societal struggles faced by women, characterized by subtle social commentaries and a distinct subdued visual style. With her multifaceted talents, Gkie stands as a significant force in both the artistic and cinematic realms, leaving an indelible mark on the industry. Gkie's visionary spirit extends beyond her individual achievements to the founding of Ritubada Films, an all-women film production group. Driven by the noble goal of creating a safe and inclusive filmmaking space, free from discrimination and harassment, Ritubada Films stands as a testament to Gkie's unwavering commitment to amplifying the voices of women and the LGBTQIA+ community within the cinematic landscape.
Colorist:
2017 HAPPY BIRTHDAY
2023 Luna
Director:
2017 HAPPY BIRTHDAY
2023 Luna
Editor:
2017 HAPPY BIRTHDAY
2021 In My Father's House
2023 Luna
Writer:
2017 HAPPY BIRTHDAY
2021 In My Father's House
2023 Luna
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.