A work in constant progress (and occasional regress).
Based in Montreal now living in the Greater Toronto Area, Sydnie Baynes is a visual artist and animator, holding a degree in Film Animation from Concordia University's esteemed Mel Hoppenheim School of Cinema. Her art, blending traditional and digital mediums, explores black history and ancestry, with a focus on empowering black femininity and self-love. Through animated films, she illuminates the transformative journey of identity and heritage, aiming to inspire viewers to embrace their narratives and roots, fostering a celebration of black culture's richness and individuality.
Animation:
2024 City Shock
Cinematography:
2024 African American Express
2024 City Shock
Director:
2021 For White Folks Only
2024 African American Express
2024 City Shock
Editor:
2021 For White Folks Only
2024 African American Express
2024 City Shock
Production Coordinator:
2021 For White Folks Only
2024 African American Express
2024 City Shock
Sound:
2021 For White Folks Only
2024 African American Express
2024 City Shock
Story:
2021 For White Folks Only
2024 African American Express
2024 City Shock
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.